areas that are sometimes difficult to find in New York City. Gutman misrepresented Wagner by claiming that these were his ideas, in other words, making Wagner appear as a racial theorist. Bayreuth: A History of the Wagner Festival. Some of the references to "Erlöser" are ambiguous, however, such as Kundry 's words to Parsifal in the second act: Bist du Erlöser, was bannt dich, Böser, nicht mir auch zum Heil dich zu einen?
The Grymes Hill of today retains much of the character of this earlier time. In December he tried to read the poem Amadis, which he disliked, perhaps because of its racist undertones. The second problem, perhaps less obvious to Gutman writing while Rauschning was still regarded with only limited suspicion by serious historians, was that we do not know for sure how Hitler interpreted Parsifal. The article is one of the so-called "regeneration writings" that were, according to Gutman, closely related to the ideas underlying Parsifal. Parsifal, Gutman produced an interpretation of Wagner's last drama as a racist tract in which homosexuality and vegetarianism were prominent themes. It is unfortunate that an entire school of writers, inspired by Gutman and blinded by hatred, have chosen to take"tions from this first part of the article - a summary of theories which Wagner rejected in the second part of the article - and.
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See however Weiner (1997) for very detailed allegations of anti-Semitism in Wagner's music and characterisations Gutman (1990) pages 418ff Gregor-Dellin, Martin (1983) pages 468,487. Some commentators also believe that some of Wagner's operas contain adverse caricatures of Jews. Gutman, Robert (1968, revised 1990) page. When Hitler entered the theater, however, he discovered that it was almost empty. Not at any time, not in any sense, and not in the least degree. As visitors walk around the campus today, it is easy for them to see that many of Sir Edward Cunards reasons for settling here still exist. Main Hall, dedicated in 1930, remains today one of Wagners most picturesque buildings.