spirits to engage with a world beyond their current environment, such slow reactions being typical of the onset of hypothermia. In.6 the gusts of wind are personified as mad, their auditory quality conveyed by the short g sound of tugging on the wire, suggesting the catching action. He is one with his men: our brains ache.1, we keep awake.2, we cringe in holes.22. Investigating structure and versification in Exposure The burden of Exposure is carried by the short half line at the end of each stanza. Yet he also questions what on earth they are achieving: What are we doing here? How does Owen use the contrast between cold and warmth to create the pity of war in this poem? In the first, third, fourth and final verses Owen creates the burden : But nothing happens. Owen presents us with a picture of communal endurance and courage. It is the measured basis of rhythm.
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Each of the short, last lines in the remaining stanzas has a story of its own to tell. Alliteration is a device frequently used in poetry or rhetoric (speech-making) whereby words starting with the same consonant are used in close proximity-.g. Structure and versification in Exposure Each of Owen s eight stanzas ends with a short half line. In much fiction, the coming of dawn is a motif for the arrival of hope. He also shares in his comrades dream of home and spirit of self-sacrifice: not loath, we lie out here.34. Collectively, the wintry elements are as much an enemy on the attack as are the Germans. This serves as a contrast to the huge events which are to do with dying: the death of men, of hope, of belief and of the love of God. Language in, exposure, the dominant elements, owen s choice of words. Tone Like so many of the later poems, Owen s tone in this poem is one of helplessness and despair. Rhythm Within each stanza, four lengthy lines set the scene and tell what story there is to tell. Here however, Dawn only brings another day of poignant misery.11.
24 The fires of home are glozed.26, a mixture of the words glazed and glowed but only lead onto doors that close. Nothing changes in the rhyming pattern, nothing happens on the front. When written or read out these lines read: What are we doing here? One short line punctuates the narrative with the reality: but nothing happens.5.